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Re: [GBW] two November lectures in Boston REVISED
I need to amend the announcement for Jim's lecture at the Boston Athenaeum.
The lecture is free but requires reservations. The reservations line at the
Athenaeum is for members only. GBW members that are interested in attending
the lecture should contact Barbara Adams Hebard hebard@bostonathenaeum
BEFORE October 25th. Barbara will arrange reservations for GBW members.
Sorry for any confusion,
Jeff Altepeter
-------------------------------
Lecture:
Art, Craft, and Conservation
James Reid-Cunningham
Chief Conservator of the Boston Athenaeum
Tuesday, November 6, 2007, 12:00 noon
The Boston Athenaeum
James Reid-Cunningham has been binding books for almost thirty years, as a
book conservator, design binder and book artist. In this presentation, he
will explore the intersection between traditional craft, modern book
conservation, and the rise of the book as a work of art. He will describe
the allure of creating and conserving books, and examine why the codex with
text and pictures became a vehicle for artistic expression during the last
four decades. Contemporary book art developed from the confluence of four
trends: luxurious French livre d'artistes, bound by master bookbinders in
unique artistic bindings called design bindings, in which the text or
illustrations were a catalyst for the binder's design; revivals in the arts
of the book in the 1960s and 1970s, as a new generation turned to craftwork
as both a career and a calling; the interaction of contemporary art styles
and traditional book structures resulting in the creation of artist's books;
and the emergence of digital media and desktop publishing in the 1990s. This
presentation will feature a display of Mr. Reid-Cunningham's re-bindings of
sixteenth to twentieth century books, done in the Athenaeum's new
conservation laboratory. Also on display will be his design bindings,
miniature books, book art, and limited editions, created by uniting modern
materials, such as FormicaT, rubber, and linoleum, with traditional
bookbinding structures. Mr. Reid-Cunningham will survey his own bookwork to
elucidate the factors that animate contemporary book art and the reasons
artists still create unique books in the twenty-first century.
James Reid-Cunningham is the Chief Conservator of the Boston Athenaeum, and
was formerly the Conservator of the Graduate School of Design at Harvard
University. He studied history and art history at Johns Hopkins University
and Tufts University and bookbinding at the North Bennet Street School in
Boston, where he received the school's Distinguished Alumni Award in 2006.
He is the President of the Guild of Book Workers and a Professional
Associate of the American Institute for Conservation of Historic and
Artistic Works. He teaches bookbinding and conservation workshops
nationwide. His artwork can be seen at www.reid-cunningham.com.
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