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Re: [GBW] two November lectures in Boston REVISED



I need to amend the announcement for Jim's lecture at the Boston Athenaeum. The lecture is free but requires reservations. The reservations line at the Athenaeum is for members only. GBW members that are interested in attending the lecture should contact Barbara Adams Hebard hebard@bostonathenaeum BEFORE October 25th. Barbara will arrange reservations for GBW members.
Sorry for any confusion,
Jeff Altepeter


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Lecture:
Art, Craft, and Conservation

James Reid-Cunningham
Chief Conservator of the Boston Athenaeum

Tuesday, November 6, 2007, 12:00 noon
The Boston Athenaeum

James Reid-Cunningham has been binding books for almost thirty years, as a book conservator, design binder and book artist. In this presentation, he will explore the intersection between traditional craft, modern book conservation, and the rise of the book as a work of art. He will describe the allure of creating and conserving books, and examine why the codex with text and pictures became a vehicle for artistic expression during the last four decades. Contemporary book art developed from the confluence of four trends: luxurious French livre d'artistes, bound by master bookbinders in unique artistic bindings called design bindings, in which the text or illustrations were a catalyst for the binder's design; revivals in the arts of the book in the 1960s and 1970s, as a new generation turned to craftwork as both a career and a calling; the interaction of contemporary art styles and traditional book structures resulting in the creation of artist's books; and the emergence of digital media and desktop publishing in the 1990s. This presentation will feature a display of Mr. Reid-Cunningham's re-bindings of sixteenth to twentieth century books, done in the Athenaeum's new conservation laboratory. Also on display will be his design bindings, miniature books, book art, and limited editions, created by uniting modern materials, such as FormicaT, rubber, and linoleum, with traditional bookbinding structures. Mr. Reid-Cunningham will survey his own bookwork to elucidate the factors that animate contemporary book art and the reasons artists still create unique books in the twenty-first century.

James Reid-Cunningham is the Chief Conservator of the Boston Athenaeum, and was formerly the Conservator of the Graduate School of Design at Harvard University. He studied history and art history at Johns Hopkins University and Tufts University and bookbinding at the North Bennet Street School in Boston, where he received the school's Distinguished Alumni Award in 2006. He is the President of the Guild of Book Workers and a Professional Associate of the American Institute for Conservation of Historic and Artistic Works. He teaches bookbinding and conservation workshops nationwide. His artwork can be seen at www.reid-cunningham.com.



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