Anatomy of Grey
Western marbled paper executed using Colophon Water Color Marbling Inks on carragheenan medium and transferred onto Rives Lightweight gray paper; number one in an edition of six, meant to be exhibited side by side to show consistency of imaging. The degree of consistency exhibited on one’s marbled paper is the degree of mastery of the craft the marbler may claim. Since the viewer of this piece will not have the advantage of seeing the remaining five, they will be left wondering whether this particular marbler achieved the mastery sought. Having the full advantage of seeing all six sheets of the edition, the marbler can truly say that he shares in their wondering. 70 x 48 centimeters. Created 1994.
Don A. Guyot was born in 1944. Following college, Don Guyot completed a masterís degree in librarianship and began working at the Seattle Public Library. Intending to become a rare book librarian he completed a second masterís degree in ancient Greek history at the University of Washington. After becoming interested in and diverted by hand bookbinding, he left librarianship and opened a repair bindery in Seattle. He learned to marble paper largely on his own because he could not ﬁnd the papers he wanted to use in his business, and began teaching workshops throughout the country. In addition to Western-style marbled papers, he also excelled in the art of suminagashi, an ancient Japanese technique of decorating paper by ﬂoating inks on water. A long-time member of the Guild, he also served as Vice President-at-Large.